>>21900
It is true that money does not change people, it simply reveals their true essence. But the removal of masks sometimes happens so unexpectedly that it is very difficult to be ready for it. It is difficult to get used to the new realities, where yesterday's sympathetic merry fellow now looks down on you. Having talent does not mean that a person will develop his gift and devote himself entirely to it. It is not for nothing that there is a saying "He buried his talent in the ground." That is why art critics and I are against calling just anyone an artist. An artist is a combination of many qualities. It is a calling, a way of life. And now this status has begun to be handed out to everyone who has simply picked up a pencil, thereby devaluing the sacredness of this concept. The artist's title has been devalued so much that people now react to any post with problems of "artists" with mocking comments, not sparing the poison:
https://pikabu.ru/story/kak_v_29_let_poteryat_sebya_a_potom_vnov_nayti_v_iskusstve_12786449?cid=354218039 People have stopped seeing creators in those who draw, suspecting them of self-interest. People have seen the light. No neural networks would have caused such damage as "artists" provoked with their behavior.
You missed one important point. Those we are talking about have not liked lolis and shotas for a long time, if they ever liked them at all. Their behavior and reactions reveal them to be people who are completely indifferent to cute girls and boys and real lolis/shotalovers. That's why drawing is hard for them, they simply have nothing to express, their hearts are empty. I remember how true bro react to an attempt at dialogue - cordially and responsively, with a vivid interest in characters new to them, expressing a desire to get to know them and learn more about them. Whereas pseudo-artists don't even half-say a word about/evaluate the characters you tell them about, because for them it's not love. There was an example above in the thread - Honeyshot, avoiding answering the question of whether he is a pedosexual.
Previously, artists flatly refused any donations, considering it blasphemous to take money from their brothers. Offering an artist money meant insulting him and his love for lolis and shotas. Today's pseudo-artists are raging, trying to suppress those who remember the old days, trying to portray us as a bunch of freeloaders, impudent people and communists.
>>21933
What country/region are you from? Russia is shit, of course, but other countries are rapidly sinking to its level; the trend of degradation of living standards and people's character is marching all over the world. The America and Europe that I enthusiastically watched in the movies as a child are long gone. And Japan has recently joined the list of my disappointments.
>>21929
>>21941
If you were truly bi, you wouldn't accuse me of supposedly being heterosexual.
>>21930
In your insults you are already sinking lower than a clown, moving on to the most primitive insinuations, accusing me of such a low technique as claque (
https://ru.wikipedia.org/wiki/%D0%9A%D0%BB%D0%B0%D0%BA%D1%91%D1%80).
>>21946
My hatred and anger are not a problem for me. This is a problem for pseudo-artists: they feel the consequences of their duplicity and greed, which are brought to them by the hatred of those whose trust they betrayed. Moreover, my anger has long passed the boiling phase, now it is cold contempt. When you hate furiously, it means that some feelings still remain, some attempt to get through, but when icy disgust comes, this is the final point, where the object of anger is dehumanized without a trace, to the level of dust.
>Probably the screenshot that left me the most perplexed was your interaction with the Japanese artist Yuki2, they expressed concerns about copyright, mentioned Skeb for speeding up the process, no motivation for Nanachi R18 and how difficult it was to draw Evan.
>Despite all of that you managed to get a sketch, but you still got angry and called it crude???
Yeah, she's a bitch and a scumbag. It feels like you were very biased at this point. Because it's impossible not to see how sweetly she cooed at me at first, promising to draw Evan in the coming weeks. And when I wrote after three months of waiting, it was as if she had been replaced, her answer was sharp and displeased. She demanded money from me, betraying her promise. And then she began to shamelessly and absurdly lie about copyright, taking me for a complete idiot who does not know the legal subtleties and realities of Japan regarding fan art.
By the way, by now I have become very disappointed in Japan. Behind the loud words about honor lies an empty shell and discouraging stupidity. The Japanese are actually very narrow-minded people. Their cultural horizons are amazingly narrow. The best time of this country is long gone. The Japanese were simply very lucky with Emperor Mutsuhito. Otherwise, this would have been another shithole on the level of Cambodia.
I am glad to hear that you share my words about the mainstream having dealt a huge blow to the community. Even the attacks from pedo-haters were not as destructive as the pursuit of the mainstream. Thousands of characters were left behind, diversity was devastatingly thinned.
I will correct you, I am not writing about only Evan and I love not only him. Pseudo-artists rejected dozens (!) of characters. For example, they met Alice from the cult Soviet cartoon "The Mystery of the Third Planet" with such coldness and hostility, as if it were about necrophilia with a dead homeless woman. Heidi from Heidi's Song, Ellie from The Wizard of Oz - all were rejected. After all, these are not the mainstream Luz, Kanna Kamui and Hilda, who signify profit.