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Affiliated boards /ac/ Looks like our rules page got nuked, will have to repost it again later on.

Happy Thanksgiving Anonymous 11/28/2024 (Thu) 13:31:11 No. 42239 [Reply]
Happy Turkey Day everyone, enjoy the festivities and some good delicious food to eat.

Andy Paley RIP Anonymous 11/22/2024 (Fri) 11:41:35 No. 42183 [Reply] >>42196 >>42205
>The man behind the iconic music of “SpongeBob SquarePants” has died. >Andy Paley passed away on Wednesday, Nov. 20, after a brief battle with cancer, a representative for his band, Tom Kenny & the Hi-Seas, confirmed to Variety and Deadline. >He was 72. https://nypost.com/2024/11/21/entertainment/andy-paley-spongebob-squarepants-songwriter-dead-at-72/ archive is down at the moment
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>>42183 Now it's the turn for Spongebob's crew to deal with life itself, but Viacom would definitely use AI or another replacement, they just won't let the cartoon die.
>>42183 Rest in peace, Mr. Paley. >>42196 You know, it actually took me a bit to realize this image was fake, especially since it sounds like the exact kind of shit the Canadian or UK government would pull.
>>42205 Change the years to weeks or days and it'd be impossible to tell it's a fake.


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DuckTales Rumored To Be Cancelled by Disney Anonymous 12/02/2020 (Wed) 20:39:43 No. 7730 [Reply] >>42178
>Disney’s DuckTales reboot is rumored to have been quietly cancelled, according to Collider associate editor Drew Taylor >When pressed as to how he knew DuckTales season 3 would be the end of the series, Taylor said most of the crew have already moved on to new projects. >Disney is severely cash strapped right now, and despite animation being a key focus for other streaming services during the pandemic, it doesn’t appear to be a major focus for Disney+. <DuckTales is an incredibly expensive show to produce, and it might have been a casualty of The Mouse House’s dwindling fortunes. Other than hearing decent things about it I'm honestly shocked its getting axed. Of all the shows the Mouse still has they kill one of the few things that can pump out new episodes for a sizable fanbase. https://archive.is/gtftj
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>>34231 QQ moar faggot
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>>7730 Sad part is Disney's still going to keep butchering old franchises and push flops out the door with no recourse.

/co/ Pain Thread 8: Superslop at the end of the rainbow! Anonymous 03/03/2024 (Sun) 23:43:36 No. 38885 [Reply] [Last]
The world's on fire but the slop doesn't stop getting churned! Your thread for venting all your frustrations on various /co/ related movies, books, games, & shows is back! Feeling lucky? You shouldn't! The first tease of James Gunn's Superman has been revealed. Calling back to Kingdom Come but with a gold sigil & 50% less crappy textures. Will James Gunn save DC & Warner Bros.? Probably not but they're too far along to stop. On the animated side we're still getting not one but two more Justice League Crisis on Infinite Earths parts to the Tomorrowverse. A disaster of an animated universe somehow worse than the New 52 based one previously. But they're bringing back Will Friedle as Terry McGinnis/Batman Beyond & Kevin Conroy's real last performance along for the ride. Also still getting the Suicide Squad Isekai anime. Something no one asked for that's clearly gotten too much yet not enough effort put into it. If you weren't sick of Harley already, now you're getting ANOTHER live action take on her in the sequel to Joker. An upcoming musical drama about Arthur finding love in the craziest of places. Arkham Asylum. But wait! There's more! Hollywood isn't just regurgitating Marvel & DC slop anymore! We're getting a reboot of The Crow. A film infamously starring Brandon Lee as the titular Crow that led to his untimely accidental death due to incompetence on set. Now The Crow/Eric Draven is being reimagined for a.... modern... audience. None of that comic book accuracy in looks though. No no. They've Jared Leto'd him for a new generation. It's a bold strategy, anons. Let's see how it plays out.
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>>42022 fucking this. its the major aspect of the entire issue which they'll all ignore despite how telling it is. it's not about "real art" dying, real art has been dead for a long time, it's about their power being taken from them. after intentionally ruining everything, laughing about it, and spitting in the faces of their would be audiences they genuinely expected sympathy from the masses they so callously abused. what difference is there between the likes of and "Ice Age Collision Course" or an "Incredibles 2" and whatever the AI generated equivalent will inevitably be? We live in a world where they'll soon be making both 5th Shrek and Toy Story installments. Having a robot spit that out would be no different from having some communist so-cal retard doing the same.
>>41809 we are truly just here to suffer >>41798 WB animation released nothing of note past 2015. 2015 marks the point where absolutely everything they made be it batman or scooby doo became total shit 9 times out of 10. Even for as bizarre and unnecessary as the WWE crosaovers were, we still got occasional kino like Gods and Monsters or Scooby meets KISS. It still baffles me how terrible the Maxwell Atoms Scooby stuff turned out, how much he wasted Elvira, how he just recycled the premise from the jack o'lantern episode of B&M, and how fucking forgettable Guess Who ended up being despite getting so many big names. Maybe Atoms just lost his touch along the way. >>41793 >criticize the O.K.K.O. crossover for being a hollow and heartless attempt by Igbo to garner internet good boy points on vanilla /co/ >get called a joyless faggot im so tired of the slop defense force faggots online.
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>>41808 i like scrappy

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Anonymous 04/25/2021 (Sun) 21:43:25 No. 12129 [Reply] [Last] >>42105
LOL
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>>41608 >disgusting Would though
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>>12129 So the moral of the story is to just copy anime but draw it bad and with minorities?

ReBoot ReWind Anonymous 10/28/2024 (Mon) 17:58:10 No. 41826 [Reply] >>41956
Does anyone here remember ReBoot? One of my favorite shows of all time. Lately Shout Factory's Youtube channels have had livestreams of it going 24/7, and I've just been leaving it on in the background whenever I have nothing else to watch. It holds up tremendously. The early episodes do have animation that shows its age a bit, but by the end of Season 1, it's already noticeably better, and I'll go out on a limb and argue that by Season 3, it holds up favorably against modern CGI cartoons. Recently some fans got together and made a very in-depth and professional 8 part documentary series about the making of the show. It is basically all made of interviews with the creators. They got basically all the creators and animators and directors who are still alive (including one of the top guys who tragically passed away before the documentary was released), and get tons of good information out of them. Of interest to /co/ is that one of these people is Dan DiDio, former EiC of DC Comics. He sometimes gets some hate from comics fans, as all EiCs do, but I liked most of his era, and I love his work on ReBoot and other Mainframe series. While making the documentary, the crew also found the original tapes of the series. It apparently took them months to then source the obscure and outdated machines required to run this particular kind of tape, and then they had to repair the machines, and I guess there is more work required to transfer all the material, but they uploaded the first episode in high quality to the Mainframe Youtube channel, and it does look markedly better than the already good DVDs. They even did a theatrical showing of the series and included one of the two IMAX rides from the '90s. There are some recordings of the first ride, but only partial recordings of the second, and of course they aren't in good quality. Some clips in the documentary show that they have access to the uncompressed versions of the cutscenes from the PS1 game. Hopefully they just release both the IMAX rides (and pre-ride material, and the uncompressed PS1 cutscenes, onto Youtube. The documentary also discussses how in Season 1, they were so behind on the animation that they couldn't deliver episodes on time, and instead made a series of commercials that tied together into a little story (called "The Trias Effect") to keep kids watching for a month. Most of these are on Youtube from the original airings, recorded onto home VHS, so not great quality. One seems to be lost, though. But these people seem to have found the tapes, so hopefully that gets released, too. I mean this is a series that is officially uploaded onto Youtube on several official channels, along with official livestreams. Hopefully nobody involved would be opposed to just also uploading higher quality versions of the episodes, along with some otherwise lost-media spinoff bits. Anyway, this documentary is excellent, and if you haven't watched the original series, you should. It starts off as episodic comedy, but the way it transitions into a much more adult continuing storyline is very cool. The animation was groundbreaking, pre-dating Toy Story, and once they got the ball rolling, it really holds up even today. Also, they hilariously go on and on about how they would all like to bring the series back, but they never once directly refer to "The Guardian Code." Such an abomination that they pretend it doesn't exist. Except when most of them do mention that they'd like to come back, they always say "but only if (creators) Gavin (Blair) and Ian (Pearson) were involved." Seems like they were swiping at The Guardian Code. Unfortunately, one episode is dedicated to Ian Pearson, who apparently died after all the interviews they got with him, but Gavin Blair seems to still have all the ideas. Part of me still has hope that he'll get to put those final episodes out there some day. At the very least, I wish he would just be a bit more specific about what the last episodes were supposed to be. He does talk about it a little bit, though, including clearing up the cliffhanger... They don't go into extreme detail, but since it's the main thing fans probably want to know, I'll give a very condensed version of their condensed version. Season 4 was supposed to be three four episode arcs. It then ends on a cliffhanger at the end of the second arc. Creator Gavin Blair mentions, however, that actually that cliffhanger wasn't intended to lead into the third arc. Actually they intended to release extended-edition DVDs, so all the episodes were supposed to be longer. When Cartoon Network reneged on their contract and fucked them over, the third arc and the extended edition DVDs were both cancelled. This then resulted in their merchandising deals getting cancelled, and toy company Irwin going out of business. Mainframe then scrambled just to try to finish what episodes they could get what they had out the door before they completely ran out of money. So the first two arcs of Season 4 are actually very condensed compared to what was originally intended, as they tried to keep certain things from the extended DVDs by cutting and trimming other bits. One bit that got trimmed was the last act of the last episode of the second arc. They figured it would be better to keep more of the rest of the episode/arc, and then hope that maybe the cliffhanger ending would be cool enough to work as an ending, and hopefully let them come back. But actually "The Hunt" that Megabyte refers to in the last line of the series was actually just going to be the final act of the episode. That's only about seven minutes. Then "there would be another double-cross" (referring to the previous time he was defeated) and the episode and arc would end. They don't mention what the third arc of the season would have been, but it wouldn't have been Megabyte hunting down all the protagonists, which is what fans assumed for the last 23 years. It would have been a new story after Megabyte was defeated. They do imply it was still gonna be part of a larger season arc, but they don't say what it would be, just that it wasn't gonna be Megabyte. PS: AndrAIa is best waifu. A Mouse is fine, too. Dot's a fucking cunt, though.

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>>41843 >Transformers Wild Animals Do you mean Beast Wars? That isn't forgotten. It's the best Transformers series by far, and largely because it was made by the same people who made ReBoot. It was practically the sequel to ReBoot. I still remember when Beast Wars was coming out, and YTV marketed it as "from the makers of ReBoot" rather than "the sequel to Transformers." And that's what got me to watch. And it's awesome and holds up to this day. Season 1 has its share of one-off episodes that can sometimes be forgettable, but the characters are the best Transformers characters ever, Dinobot is the best individual Transformer character ever, and the story that develops throughout Seasons 2 and 3 is so cool. The sequel series, Beast Machines, gets a bad rep sometimes, but I think it holds up very well. Maybe not quite as well as Beast Wars Seasons 2 and 3, but I actually like the more spiritual angle that Optimus takes on, as it allows both him and Cheetor to develop in very interesting ways. And yes, Beast Wars was called "Beasties" in Canada, which is where it was actually made. For some reason the Canadian censors demanded they censor that title, even though on ReBoot, it was the American network, ABC, which was heavily censoring the entire show, while YTV gave them carte blanche to do whatever they wanted, to the degree that you can identify the specific episode that ABC cancelled the show, since it immediately becomes suddenly dark and edgy. They go from characters not being allowed to break glass, or have boobs (the modellers were forced to give them all strange "monoboobs"), to an X-Files episode (actually guest starring Gillian Anderson) where a monster is running around killing recurring characters. And anyone who knows how ReBoot Season 2 ends knows it gets extremely dark. Insektors is an actually obscure series, even moreso than ReBoot. ReBoot's creators and fans always claim to be the first fully CGI TV series, but according to some sources, Insektors premiered first, at least in France. This results in ReBoot sometimes being referred to as "the first fully CGI half-hour TV series," since Insektors episodes were only 11 minutes. Honestly I do think the animation in that show is still pretty cool, I have a massive soft spot for early CGI, but it's not as good as ReBoot, in animation, and especially not in story. I also loved the Incredible Crash Dummies TV show as a kid, and that technically came out before ReBoot. I had one episode on tape, and was always looking for others. It was only many years later that I learned that it was a standalone "TV special," clearly actually a failed pilot that never got picked up. So I guess that is how ReBoot can still market itself as the first CGI "series," since Crash Dummies was just one episode. It was a cool one, though. Also, when ReBoot came out, YTV would air random CGI shorts during commercials and between shows, packaging them as "Short Circuitz." I loved these so much, but for a long time there was no documentation of the series. Eventually I learned they were all just repackaged older CGI shorts from the '80s, including some very famous ones, like Andre and Wally B.. But now you can find a lot of them on Youtube, though usually mixed with a lot of other similar '80s CGI stuff, sometimes from the same collections that Short Circuitz got a lot of its material from. I swear there are still some I vaguely remember from the mid '90s that I can't find online though. Also, people love Animusic, but nobody talks about the earlier (and therefore more groundbreaking and impressive) similar animation from the same guy, "More Bells and Whistles." That short is awesome. It makes me wonder if there is a regular "Bells and Whistles," but I can't find that one. I love early CGI, but ReBoot is the coolest because it also had awesome story and characters. Beast Wars comes close. Shadow Raiders is cool too. And so was Weird-Os, and Scary Godmother, and that weird MTV Spider-Man series. Mainframe was awesome because they had cool animation and good writers.
>>41826 Ah, that finally came out. Been meaning to see it.
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>>41840 >Tripping the Rift was the superior CGI animated series

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Storytime: Le Collège Noir Anonymous 10/22/2024 (Tue) 01:30:30 No. 41694 [Reply]
For this month, I found a French series of comic translated in English involving a bunch of middle school kids and their teacher dealing with a witch that cursed them, plus some monsters. There's also an animated series. There's no official English translations available, but there is one fan translation (and some notes) that I've found that I'll post in full here. Here's the first story: The Book of the Moon, which was released in 2016.
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Thanks for the read Anon.
Surprisingly dark and well-researched for a work that seems aimed primarily at children. The scanlator's passion is also clearly conveyed in all their notes. Thanks for the storytime, OP.
That's a great translation and a a neat little comic, thanks for the share OP. I want to lick Lenas armpits

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Hazbin Hotel Anonymous 06/28/2020 (Sun) 20:56:02 No. 2284 [Reply] [Last]
Is any of this shit really worth watching?
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>>45541 >>began reading thru the earliest posts to see how it all slowly went downhill i fucking feel you man. i was such a huge fan of the pilot but as the quality of what were gonna get slowly became apparent, and i felt a sense of doom knowing that era of fanworks and the version of the characters i'd grown to love was gonna be gone, even having the voice-actors ladder-pulled and replaced at this point a lot of fanworks for the pilot are better than anything the actual show did i still haven't watched the amazon show, i got fucking fed up with the entire vivziepop canon around the time of unhappy campers i still haven't watched anything past the mammon episode
This is why invincible won.
This is why JJK and invincible won.

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Night of the Were-Ed Thread 2022: Scams into Screams edition Were-Ednon 10/27/2022 (Thu) 01:07:27 No. 30046 [Reply] [Last]
Here we are again, my fellow Jawbreaker enthusiasts. The last few days of October. Another 365 days have passed since last the sordid tale of Cul-de-sac occultism has been told, and so the curse advances once more, bringing us again to the NIGHT OF THE WERE-ED Or five nights rather (Five Nights at Eddy's, if you will), from now until Halloween, we will spin this sordid tale of friendship, romance, and plots that go right off the rails and manage to rip off Underworld while they're at it. Without further ado, let us begin.
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Always a great read on Halloween.
>>30228 A continuation where the Eds (and Kankers because why not) become monster hunters and travel around looking for work would've been neat. But I imagine the artist probably wanted to focus on their original ideas by this point.
Thanks for stickying the thread for Halloween. I will admit I kind of forgot this year, but eh, I've been doing it the last six years (Starting on OG 8chan even) so I think I can take a pass. Plus, 2024, 4 is bad luck in Nippon, so I guess there's my excuse.

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Horror Anthologies Story Time Anonymous 10/31/2022 (Mon) 06:19:26 No. 30204 [Reply] [Last]
It's this time of the year. I have been reading old horror anthologies lately and it is crazy how often stories are actually good in ones from EC and from Warren. Even back then anthologies were mostly hit and miss, yet somehow these two publishers built up a stable of good artists and writers who managed to produce good books consistently. Jennifer is one of my favorites so far. It was originally published in Creepy #63. Dark Horse reprint collections have it in volume 12. It was adapted in Masters of Horror series' fourth episode directed by Dario Argento.
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And yet another story from Creepy #6, as it was a strong issues with most stories being good to very good. The Cask of Amontillado is an adaptation of Poe's classic story of the same name. Goodwin and Crandall's adaptation expends upon it a bit with a prologue and an expanded ending.
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Anonymous 10/26/2024 (Sat) 13:41:48 No. 41787 [Reply] >>41794
I have no idea what I'm doing rn
Me neither
Welcome to Adulthood
>>41787 Is that the 911 video?

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The Wild Robot Anonymous 10/16/2024 (Wed) 03:01:29 No. 41629 [Reply] >>41689
It's another DreamWorks animated feature that mostly earns its "heartwarming" reception. I enjoyed seeing how a robot gradually gets along with the animals. She's also a motherly figure who raises a lone goose, while a fox ends up having a heart over his cynical nature thanks to her. The animation style and voices weren't wasted for once. My only gripe is through the last act where the robot deals with some other robot that wants to destroy its memory for no good reason besides being corrupt and earlier, she literally says that she is a wild robot but I'm glad that I watched it in a theater, even with a bunch of families and their kids in the way. Maybe I'll check out the original book, too.
>>41629 It was alright. For the most part, it felt like an American stab at a Ghibli movie. It's not going to earn a place in my top ten or even top twenty, but it's certainly in my top 100.
>>41689 >an American stab at a Ghibli movie But Ghibli movies are shit. It's the same 3 plots for every films. Yes, they are well made, but the "last" one that was actually "good" was Castle in the Sky.
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>>41693 The movies are just demo reels that last hour an a half, nothing really happens besides the smooth animation, I remember giving up watching Chihiro after seeing the protagonist doing the chores for a good chunk of the movie.

80's Cartoons Anonymous 09/05/2020 (Sat) 03:43:30 No. 4807 [Reply] [Last]
What are you anons currently watching? I've been re-watching The Transformers, TMNT and The Real Ghostbusters.
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In retrospect, I & the world were too harsh on Transformers One. It's actually a decent movie that's surprisingly serious. It's just Key B that's incredibly annoying through the whole thing in a not even funny way. Had he at least had a better younger voice then maybe he'd be more endearing instead. I also think the black guy voicing D-16 doesn't have a tough growly enough voice to do it. Especially when he truly becomes Megatron. The trailer's really didn't do this movie any favors by front loading them with the terrible comedy instead of the action with 80s rock music. It's kinda too late to save it at this point but with nothing else good to watch, fuck Wild Robot, maybe people should give it a chance.
>>41482 >The trailer's really didn't do this movie any favors by front loading them with the terrible comedy instead of the action with 80s rock music. It's kinda too late to save it at this point but with nothing else good to watch, fuck Wild Robot, maybe people should give it a chance. To be honest, I've just checked out of having any interest in Transformers (Like much of the rest of modern media) due to them shoving Queer theory into the comics and shows. If they legitmately did make a good movie, I don't care because of how they're doing everything possible to antagonize people over the past several years, and then wondering why companies cannot release a successful movie even if their future depends on it.
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>>41485 That is also likely a factor to why people didn't care. Burnout from Bayformers then the reboot universe with Bumblebee dropping the ball just as bad in it's sequel. Plus like you said everything with IDW & Earthspark turning the series into a soapbox for gender identity bullshit. Paramount producer Lorenzo is also not helping by continuing to say contradictory shit about how Bumblebee first & now TF One were/are part of the Bayformers continuity. Even though it's impossible logically in every way. But that kind of thing just makes people confused & avoid it all further.

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Anonymous 09/09/2024 (Mon) 21:31:58 No. 41181 [Reply] >>41252
>James Earl Jones has sadly passed away at the age of 93
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>>41203 >Mark Hamel's brain Anon thank you for giving me a laugh in this sad time.
>>41181 AHA. Oh. King Jaffe Joffer, ruler of Zamunda has passed away. How unfortunate. Now Eddie Murphy is king.

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Peter Renaday dead at 89 Anonymous 09/10/2024 (Tue) 20:23:46 No. 41188 [Reply]
>The late actor’s career spanned over six decades and he gained notoriety for his voice on the animated adaptation of “Teenage Mutant Ninja Turtles,” which aired for 10 seasons from 1987 to 1996. >Some of his most noteworthy films include “The Barefoot Executive,” “Walt Disney’s Wonderful World of Color,” “The Shaggy D.A.,” “The Cat from Outer Space” and “The Apple Dumpling Gang Rides Again.”  >By the mid-’80s, Renaday fully moved into voice work, including Disney attractions such as Rocket to the Moon, Mission to Mars and Country Bear Jamboree. >Renaday’s last role was in 2019 when he voiced Forever Tree in the animated Christmas film “Piney: The Lonesome Pine.” https://archive.md/6S9tE
Wow, it really is the great dying of celebrities.
>>41191 Think about it, all the people who were in their forties and fifties in the nineties are starting to reach their eighties. Even the ones who were in their thirties are reaching their sixties. I know we lost a couple Japanese VAs famous for stuff like Sailor Moon and things of that vintage.

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RIP John Cassaday Anonymous 09/10/2024 (Tue) 04:46:00 No. 41184 [Reply] >>41185
>John Cassaday Passes Away At Age 52 From Brain-Related Complication >In an utterly devastating loss for both his loved ones and the comic book industry as a whole, iconic Planetary artist John Cassaday has passed away at the relatively young age of 52 due to a reported brain-related health issue. https://archive.ph/SDW9J
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>>41184 Guess that explains this variant cover by him. Was he using 3D models before?

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